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Having color saturation, color temperature (amber/blue), and color tint (green/magenta) adjustments in the Inspect window would make it easier to fake a log-to-Rec.709 look without using a LUT, and would let one fix white-balance errors within Screen and export corrected clips and screenshots.
This is a very-nice-to-have, not a must-have, but it's the sort of thing I can do in tools like Canon RAW developer, Sony Catalyst, and REDCINE-X — or even the decade-old RED ALERT, if you remember those happy, halcyon days when the RED ONE was the shiny new thing (grin).
This discussion was converted from issue #83 on March 10, 2023 01:55.
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Having color saturation, color temperature (amber/blue), and color tint (green/magenta) adjustments in the Inspect window would make it easier to fake a log-to-Rec.709 look without using a LUT, and would let one fix white-balance errors within Screen and export corrected clips and screenshots.
This is a very-nice-to-have, not a must-have, but it's the sort of thing I can do in tools like Canon RAW developer, Sony Catalyst, and REDCINE-X — or even the decade-old RED ALERT, if you remember those happy, halcyon days when the RED ONE was the shiny new thing (grin).
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