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Algorithmic art research #6
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Forking a Sketch: How the OpenProcessing Community Uses Remixing to Collect, Annotate, Tune, and Extend Creative Code |
Tools, Tricks, and Hacks: Exploring Novel Digital Fabrication Workflows on #PlotterTwitter |
Technical Narratives: Analysis, Description and Representation in the Conservation of Software-Based Art |
Spellburst: A Node-based Interface for Exploratory Creative Coding with Natural Language Prompts |
A Study of Editor Features in a Creative Coding Classroom |
Software engineering issues in interactive installation art |
SArt: Towards Innovation at the intersection of Software engineering and art |
The Aesthetics of Exhibition: A Discussion of Recent American Computer Art Shows |
Old media, new media? Significant difference and the conservation of software-based art |
Toward aesthetic guidelines for paintings with the aid of a computer |
Éloge de l’ordinateur dans les arts visuels |
Internet of Things connected Pen Plotter. Bsc thesis, 2022 |
Computer Graphics — Computer Art. Book, 1971 |
Earth and Space Sciences for Computer Art Works |
Processing: programming for the media arts |
Estuary: Browser-based Collaborative Projectional Live Coding of Musical Patterns |
Computer Programming in the Creative Arts |
Visual Intelligence: The First Decade of Computer Art (1965–1975) |
Vera Molnar. Weaving Variations, by Szofi valyi nagy |
Kinetic Art Table. Polar sand plotter. Bsc thesis, 2021 |
Sights and Sounds of Big Data: Ryoji Ikeda’s Immersive Installations |
Infinitesimal to Infinity: Ryoji Ikeda’s Data Composition and Space of Sensing. PhD thesis, 2018 |
Chance and Control: Art in the Age of Computers. 2019 "Opening at London’s Institute of Contemporary Arts ( ICA ) in 1968, “Cybernetic Serendipity” was one of the first international exhibitions devoted to the relationship between the computer and the arts. " |
[research group] |
[research group] |
The Tools of Generative Art, from Flash to Neural Networks |
Magic Squares and Aesthetic Events |
Computer arts society |
Generative Art Theory Discusses generative art with a computer, regarding other forms of generative art |
the creative coding research group at UC Santa Cruz |
Creative Computing Institute |
A Program for Victory Boogie Woogie |
Artistic Skills and Capabilities for Navigating the Intersection between the Arts and Digital Technologies |
Research on the Application of Coding Art in Creative Products |
Finding the Grammar of Generative Craft PhD thesis, 2021 |
Artist Support Networks: Implications for Future Creativity Support Tools, published at DIS 2022 |
Light Pattern: Writing Code with Photographs, siggraph 2015 |
Here we collect academic conferences that contribute to the field of algorithmic art: creative coding, generative art, live coding, digital art preservation. Venues that publish regularly on these topics
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