Merge pull request #20 from RangHo/eng2101

[ENG2101] New subject

ENG2101/.gitignore

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+## Core latex/pdflatex auxiliary files:
+*.aux
+*.lof
+*.log
+*.lot
+*.fls
+*.out
+*.toc
+*.fmt
+*.fot
+*.cb
+*.cb2
+.*.lb
+
+## Intermediate documents:
+*.dvi
+*.xdv
+*-converted-to.*
+# these rules might exclude image files for figures etc.
+# *.ps
+# *.eps
+# *.pdf
+
+## Generated if empty string is given at "Please type another file name for output:"
+.pdf
+
+## Bibliography auxiliary files (bibtex/biblatex/biber):
+*.bbl
+*.bcf
+*.blg
+*-blx.aux
+*-blx.bib
+*.run.xml
+
+## Build tool auxiliary files:
+*.fdb_latexmk
+*.synctex
+*.synctex(busy)
+*.synctex.gz
+*.synctex.gz(busy)
+*.pdfsync
+
+## Build tool directories for auxiliary files
+# latexrun
+latex.out/
+
+## Auxiliary and intermediate files from other packages:
+# algorithms
+*.alg
+*.loa
+
+# achemso
+acs-*.bib
+
+# amsthm
+*.thm
+
+# beamer
+*.nav
+*.pre
+*.snm
+*.vrb
+
+# changes
+*.soc
+
+# comment
+*.cut
+
+# cprotect
+*.cpt
+
+# elsarticle (documentclass of Elsevier journals)
+*.spl
+
+# endnotes
+*.ent
+
+# fixme
+*.lox
+
+# feynmf/feynmp
+*.mf
+*.mp
+*.t[1-9]
+*.t[1-9][0-9]
+*.tfm
+
+#(r)(e)ledmac/(r)(e)ledpar
+*.end
+*.?end
+*.[1-9]
+*.[1-9][0-9]
+*.[1-9][0-9][0-9]
+*.[1-9]R
+*.[1-9][0-9]R
+*.[1-9][0-9][0-9]R
+*.eledsec[1-9]
+*.eledsec[1-9]R
+*.eledsec[1-9][0-9]
+*.eledsec[1-9][0-9]R
+*.eledsec[1-9][0-9][0-9]
+*.eledsec[1-9][0-9][0-9]R
+
+# glossaries
+*.acn
+*.acr
+*.glg
+*.glo
+*.gls
+*.glsdefs
+*.lzo
+*.lzs
+*.slg
+*.slo
+*.sls
+
+# uncomment this for glossaries-extra (will ignore makeindex's style files!)
+# *.ist
+
+# gnuplot
+*.gnuplot
+*.table
+
+# gnuplottex
+*-gnuplottex-*
+
+# gregoriotex
+*.gaux
+*.glog
+*.gtex
+
+# htlatex
+*.4ct
+*.4tc
+*.idv
+*.lg
+*.trc
+*.xref
+
+# hyperref
+*.brf
+
+# knitr
+*-concordance.tex
+# TODO Uncomment the next line if you use knitr and want to ignore its generated tikz files
+# *.tikz
+*-tikzDictionary
+
+# listings
+*.lol
+
+# luatexja-ruby
+*.ltjruby
+
+# makeidx
+*.idx
+*.ilg
+*.ind
+
+# minitoc
+*.maf
+*.mlf
+*.mlt
+*.mtc[0-9]*
+*.slf[0-9]*
+*.slt[0-9]*
+*.stc[0-9]*
+
+# minted
+_minted*
+*.pyg
+
+# morewrites
+*.mw
+
+# newpax
+*.newpax
+
+# nomencl
+*.nlg
+*.nlo
+*.nls
+
+# pax
+*.pax
+
+# pdfpcnotes
+*.pdfpc
+
+# sagetex
+*.sagetex.sage
+*.sagetex.py
+*.sagetex.scmd
+
+# scrwfile
+*.wrt
+
+# svg
+svg-inkscape/
+
+# sympy
+*.sout
+*.sympy
+sympy-plots-for-*.tex/
+
+# pdfcomment
+*.upa
+*.upb
+
+# pythontex
+*.pytxcode
+pythontex-files-*/
+
+# tcolorbox
+*.listing
+
+# thmtools
+*.loe
+
+# TikZ & PGF
+*.dpth
+*.md5
+*.auxlock
+
+# titletoc
+*.ptc
+
+# todonotes
+*.tdo
+
+# vhistory
+*.hst
+*.ver
+
+# easy-todo
+*.lod
+
+# xcolor
+*.xcp
+
+# xmpincl
+*.xmpi
+
+# xindy
+*.xdy
+
+# xypic precompiled matrices and outlines
+*.xyc
+*.xyd
+
+# endfloat
+*.ttt
+*.fff
+
+# Latexian
+TSWLatexianTemp*
+
+## Editors:
+# WinEdt
+*.bak
+*.sav
+
+# Texpad
+.texpadtmp
+
+# LyX
+*.lyx~
+
+# Kile
+*.backup
+
+# gummi
+.*.swp
+
+# KBibTeX
+*~[0-9]*
+
+# TeXnicCenter
+*.tps
+
+# auto folder when using emacs and auctex
+./auto/*
+*.el
+
+# expex forward references with \gathertags
+*-tags.tex
+
+# standalone packages
+*.sta
+
+# Makeindex log files
+*.lpz
+
+# xwatermark package
+*.xwm
+
+# REVTeX puts footnotes in the bibliography by default, unless the nofootinbib
+# option is specified. Footnotes are the stored in a file with suffix Notes.bib.
+*Notes.bib

ENG2101/README.md

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+# 영문학작문 (`ENG2101`)
+
+* 연도: 2023
+* 분반: 03
+* 교수: 전자영 교수님
+* 비고: 2023년도 기준, 1학년 전용이 아닌 유일한 분반입니다.
+
+여러 종류의 영어 문학 작품을 읽고 문학적으로 분석하는 방법을 익히는 수업입니다.

ENG2101/dear-final-readers.tex

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+\documentclass{mla}
+
+\firstname{Juhun}
+\lastname{Lee}
+\instructor{Professor Jayoung Jeon}
+\course{Writing about English Literature}
+\date{21 June 2023}
+
+\title{Dear readers}
+
+\begin{document}
+
+\noindent
+Dear Readers.
+
+My rough draft was not \textit{very} complete, by any means.
+While I had a vague direction of the essay in mind, but it was very difficult to crystallize something concrete out of this ``direction''.
+I wanted to write an essay based on the experiences I have had with virtual reality.
+As a long-time VR fan, the idea of ``being in the online world'' was very appealing to me.
+
+However, due to personal complications towards the end of the semester, I was overburdened with work, which continued even after the last day of the class.
+(In fact, I am writing this letter after working at a conference as a staff.)
+
+I believe I have pretty solid thesis statement.
+However, since I was not able to work on this essay continuously, I believe the argument is a bit ``jumpy'' occasionally.
+If I were given more time, I would like to fix the jumpy arguments and smooth things out.
+
+\noindent
+Sincerely,
+
+\noindent
+Juhun Lee.
+
+\end{document}

ENG2101/final.bib

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+
+@article{Anghel_2021, series={Annals of the University of Craiova, Series: Philology, English}, title={Beyond loneliness and virtual identity in Water by the Spoonful by Quiara Alegría Hudes}, volume={22}, url={https://litere.ucv.ro/litere/sites/default/files/litere/Cercetare/Activitate%20stiintifica/Analele%20Facultatii%20de%20Litere/anale_engleza_2021.pdf}, abstractNote={Quiara Alegría Hudes, an American playwright, filtered and wove personal experiences and stories into a much appreciated trilogy centred on Elliot Ortiz, a former soldier and present war veteran. The play Water by the Spoonful presents post war events in Elliot’s life consisting of the difficulties he faces as a result of his having been abandoned by his mother as a child andwounded in the war. Elliot’s memories and present troubles and frustrations make him isolate, and his effort to understand and solve them leads to suffering, regret, and intolerance. While Elliot is trying to face his problems in real life, other characters choose to build walls around their past and real identities. The play also reveals how fragile the characters beyond the walls of loneliness and virtual identity are and re- establishes a new order.}, number={1}, publisher={Editura Universitaria Craiova}, author={Anghel, Florentina}, year={2021}, pages={5–15}, collection={Annals of the University of Craiova, Series: Philology, English} }
+@book{Artaud_1958, place={New York}, title={The Theatre and Its Double}, publisher={Grove Press}, author={Artaud, Antonin}, year={1958} }
+@article{Christopherson_2007, series={Computers in human behavior}, title={The positive and negative implications of anonymity in Internet social interactions: “On the Internet, Nobody Knows You’re a Dog”}, volume={23}, ISSN={0747-5632}, url={https://dx.doi.org/10.1016/j.chb.2006.09.001}, DOI={10.1016/j.chb.2006.09.001}, abstractNote={The growth of the Internet at a means of communication has sparked the interest of researchers in several fields (e.g. communication, social psychology, industrial-organizational psychology) to investigate the issues surrounding the expression of different social behaviors in this unique social context. Of special interest to researchers is the increased importance that anonymity seems to play in computer-mediated communication (CMC). This paper reviews the literature related to the issues of anonymity within the social context, particularly in CMC, demonstrating the usefulness of established social psychological theory to explain behavior in CMC and discussing the evolution of the current theoretical explanations in explaining the effects of anonymity in social behavior in CMC environments. Several suggestions for future research are proposed in an attempt to provide researchers with new avenues to investigate how anonymity can play both positive and negative roles in CMC.}, number={6}, author={Christopherson, Kimberly M.}, year={2007}, month={Nov}, pages={3038–3056}, collection={Computers in human behavior} }
+@article{Dufournaud_2020, place={West Chester}, series={College literature}, title={“When things are bad”: Entrepreneurial Failure and Levinasian Ethics in Quiara Alegría Hudes’s Water by the Spoonful}, volume={47}, ISSN={0093-3139}, url={https://muse.jhu.edu/article/759790}, DOI={10.1353/lit.2020.0023}, abstractNote={The broad aim of this article is to argue that entrepreneurial failure constitutes a rich site for inquiry into the pressures of capitalist modernity and the aesthetic visions that have emerged in opposition to it. More specifically, it contends that Quiara Alegría Hudes’s play Water by the Spoonful illuminates the violence of neoliberal dispossession through its cast of characters who can be read as failed entrepreneurial subjects. If neoliberal reason views individuals as self-appreciating entrepreneurs, the play suggests that entrepreneurial self-extension is a broken form of living. To examine the play’s treatment of failure, this article draws on Emmanuel Levi-nas’s philosophy of ethics, arguing that the play displays an ethico- political commitment to the future, one in which collective living would supplant the egoistic pursuits abetted by neoliberal reason.}, number={3}, publisher={Johns Hopkins University Press}, author={Dufournaud, Daniel}, year={2020}, month={Jun}, pages={441–467}, collection={College literature} }
+@book{Durham_2013, place={New York}, series={Women’s Voices on American Stages in the Early Twenty-First Century: Sarah Ruhl and Her Contemporaries}, title={Mobile Lines}, ISBN={9781137287113}, url={http://www.palgraveconnect.com/doifinder/10.1057/9781137287113}, DOI={10.1057/9781137287113}, abstractNote={In “Transporting the Subject: Technologies of Mobility and Location in an Era of Globalization,” Caren Kaplan writes, “As technologies of transportation and communication become more and more disembodied, more and more displaced from corporeality, and more and more a practice of mind and of simulation, the unified subject of the European Enlightenment is less and less a requirement. Whether or not we believe such a creature exists ever existed, the shift in the paradigm of the subject is significant enough to warrant theorization.” It is also significant enough to warrant dramatization, and that is precisely what Sarah Ruhl, Bathsheba Doran, and Quiara Alegra Hudes do in the three plays I will analyze in this chapter.}, publisher={Palgrave Macmillan}, author={Durham, Leslie Atkins}, year={2013}, pages={99–129}, collection={Women’s Voices on American Stages in the Early Twenty-First Century: Sarah Ruhl and Her Contemporaries} }
+@article{Hayne_Rice_1997, series={International Journal of Human-computer Studies}, title={Attribution accuracy when using anonymity in group support systems}, volume={47}, ISSN={1071-5819}, url={https://dx.doi.org/10.1006/ijhc.1997.0134}, DOI={10.1006/ijhc.1997.0134}, abstractNote={This study explores the taken-for-granted assumption that “anonymous” comments posted on a group support system (GSS) aresociallyas well astechnicallyanonymous. It analyses the accuracy of, and influences on, attributions of authors’ identities in seven field groups with considerable work history after they used the system to enter technically anonymous comments about salient topics during a brainstorming session. GSS participants made attributions about authors’ identities, but overall these attributions were about 12% accurate (ranging from 1 to 29%). The expected predictors of accuracy (an individual’s total communication with the group, network centrality, and length of membership in the group) were inconsistent influences across the seven groups.}, number={3}, author={Hayne, Stephen C. and Rice, Ronald E.}, year={1997}, month={Sep}, pages={429–452}, collection={International Journal of Human-computer Studies} }
+@book{Hudes_2012, place={New York}, title={Elliot, A Soldier’s Fugue}, ISBN={1559367237}, url={https://www.perlego.com/book/729757/elliot-a-soldiers-fugue-pdf}, abstractNote={“ Elliot, A Soldier’s Fugue is that rare and rewarding thing: a theatre work that succeeds on every level while creating something new. The playwright combines a lyrical ear with a sophisticated sense of structure to trace the legacy of war through three generations of a Puerto Rican family. Without ever invoking politics, Elliot, a Soldier’s Fugue manages to be a deeply poetic, touching and often funny indictment of the war in Iraq.”— The New York Times From Quiara Alegria Hudes, the Pulitzer Prize-winning author of Water by the Spoonful, comes this companion play, itself a Pulitzer finalist. In a crumbling urban lot that has been converted into a verdant sanctuary, a young Marine comes to terms with his father’s service in Vietnam as he decides whether to leave for a second tour of duty in Iraq. Melding a poetic dreamscape with a stream-of-consciousness narrative, Elliot, A Soldier’s Fugue takes us on an unforgettable journey across time and generations, lyrically tracing the legacy of war on a single Puerto Rican family. Elliot, A Soldier’s Fugue, a finalist for the 2007 Pulitzer Prize, is the first installment in a trilogy of plays that follow Elliot’s return from Iraq. The second play, Water by the Spoonful, received the 2012 Pulitzer Prize and will be published by Theatre Communications Group concurrently with Elliot, A Soldier’s Fugue. The trilogy’s final play, The Happiest Song Plays Last, premiered in April 2012 at Chicago’s renowned The Goodman Theatre.}, publisher={Theatre Communications Group}, author={Hudes, Quiara Alegría}, year={2012} }
+@book{Hudes_2014, place={New York}, title={The Happiest Song Plays Last}, ISBN={9781559367721}, abstractNote={“As ever, Hudes’s writing is poetic but wry, full of swagger and poetry. There’s live music, but oh, how the lines sing too.” — David Cote, Time Out New York “Ms. Hudes draws all her characters with precision and understanding... this warm-blooded play underscores how the disorienting flux of life can be navigated with the help of carefully tended family ties.” — Charles Isherwood, New York Times “Delightful... Hudes is a very accomplished storyteller, a playwright with an emergent, fulsome American narrative.” — Chris Jones, Chicago Tribune At the dawn of the Arab Spring in an ancient Jordinian town, an Iraq War veteran struggles to overcome the traumas of combat by taking on an entirely new and unexpected career: an action-film hero. At the same time, halfway around the world in a cozy North Philadelphia kitchen, his cousin takes on a heroic new role of her own: as the heart and soul of her crumbling community, providing hot meals and an open door for the needy.The final installment in Hudes’s three-play cycle, which began with the Pulitzer Prize-finalist Elliot, A Soldier’s Fugue and Pulitzer Prize-winner Water By the Spoonful, The Happiest Song Plays Last is about the search for redemption, humility and one’s place in the world. Quiara Alegria Hudes is the author of the Pulitzer Prize-winning Water by the Spoonful, the Tony Award- winning musical In the Heights and the Pulitzer Prize finalist Elliot, A Soldier’s Fugue. Her other works include Barrio Grrrl!, a children’s musical; 26 Miles; Yemaya’s Belly and The Happiest Song Plays Last, the third piece in her acclaimed trilogy. Hudes is on the board of Philadelphia Young Playwrights, which produced her first play in the tenth grade. She now lives in New York with her husband and children.}, publisher={Theatre Communications Group}, author={Hudes, Quiara Alegría}, year={2014} }
+@book{Hudes_2017, place={New York}, title={Water by the Spoonful}, ISBN={9781559365574}, abstractNote={Somewhere in Philadelphia, Elliot has returned from Iraq and is struggling to find his place in the world. Somewhere in a chat room, recovering addicts forge an unbreakable bond of support and love. The boundaries of family and community are stretched across continents and cyberspace as birth families splinter and online families collide. }, publisher={Theatre Communications Group}, author={Hudes, Quiara Alegría}, year={2017} }
+@article{McKenna_Bargh_1999, series={Media psychology}, title={Causes and Consequences of Social Interaction on the Internet: A Conceptual Framework}, volume={1}, ISSN={1521-3269}, url={https://www.tandfonline.com/doi/abs/10.1207/s1532785xmep0103_4}, DOI={10.1207/s1532785xmep0103_4}, abstractNote={Increasingly, people are connecting to the Internet from their homes in order to interact with others. This article discusses research on Internet social interaction in terms of the following questions: What predicts who will look for and form social relationships on the Internet and who won’t? How do people present themselves to others over the Internet? How is social interaction on the Internet similar and different from the more traditional forms of interaction? And what are the consequences of participating in Internet groups and interacting with others one-on-one for the individual’s self concept and social relationships? The conceptual framework offered here organizes research on the social psychology of the Internet into three time phases (before, during, and after extensive social interactions and group participation) and two distinct types of motivations that drive Internet social behavior (self-related and socially related). After a review of the research on these issues so far we conclude that there is an abundance of interacting going on out there in cyberspace, and it is having surprisingly strong effects on people’s “real life.”}, number={3}, author={McKenna, Katelyn Y. A. and Bargh, John A.}, year={1999}, month={Sep}, pages={249–269}, collection={Media psychology} }
+@book{Merriam-Webster, series={Merriam-Webster.com Dictionary}, title={Merriam-Webster.com: America’s Most Trusted Dictionary}, url={https://www.merriam-webster.com/}, author={Merriam-Webster}, collection={Merriam-Webster.com Dictionary} }
+@book{Verner_2014, title={Final Thesis Project}, url={https://www.youtube.com/watch?v=VamqqEvi-c4}, author={Verner, Alexander Julian}, year={2014}, month={Apr} }
+@article{Young_2015, series={Theatre Survey}, title={An Interview with Quiara Alegría Hudes}, volume={56}, ISSN={0040-5574}, url={https://www.cambridge.org/core/article/an-interview-with-quiara-alegria-hudes/866138384289792C5FED656F4E18DE1F}, DOI={10.1017/S004055741500006X}, abstractNote={Quiara Alegría Hudes (Fig. 1) won the Pulitzer Prize for Drama for Water by the Spoonful, the second play in her “Elliot” trilogy. She is a two-time Pulitzer Prize finalist for Elliot, A Soldier’s Fugue, the first play in the trilogy, and the musical In the Heights. Her plays include The Happiest Song Plays Last (which ends the trilogy), 26 Miles, Yemaya’s Belly, and Daphne’s Dive. In 2012, the Los Angeles Times praised Hudes as “one of the most poetic, socially clued-in young voices in the American theater.” In this engaging interview with Editor Harvey Young, Quiara Alegría Hudes talks about the role of music in her plays, socioeconomic isolation in cities, the inspiration for some of her plays, and the importance of asking the deep question.}, number={2}, publisher={Cambridge University Press}, author={Young, Harvey}, year={2015}, pages={187–194}, collection={Theatre Survey} }